Aussie Furniture Brand Marks Its Texas Debut with a Stylish VIP Soiree

Alex Montoya
Aussie Furniture Brand Marks Its Texas Debut with a Stylish VIP Soiree

Benny Ballarin, Nicholas Condos, James Whitley, Harrison Condos, Fay Whitley

DESIGN AFICIONADOS GATHERED at the Decorative Center of Houston to welcome its latest tenant, Harbour, an Australian company specializing in modern coastal furniture that will be able to withstand Houston's heat.


Speaking of, it doesn't hurt that Harbour cofounders, brothers Nicholas and Harrison Condos are incredibly good-looking. The guests, including interior designers, real estate mavens and other VIPs, rubbed shoulders with the Condos bros while perusing Harbour's chic offerings and enjoying the evening's signature cocktail, the aperol-fueled Bondi Beach Spritz.

“From spending time here in Houston, we feel a deep link between the way Houstonians treat one another — and visitors such as ourselves — and how we were raised in Australia to be kind and generous to anyone we encountered,” said Nicholas. “Our father taught us how to work hard and prioritized dedication to one’s craft, and I hope that is borne out in the pieces that you all see here this evening. We are very proud of Harbour and feel that it is worthy of being a part of this exceptional community.”

Harbour was initially known as Tecno Furniture, launched by their father Jim Condos in the 1970s.

Linda Sheldon, Peta Rubinstein

Kenya Ocampo, Paola Leoz

Cara Panyard, Nicole Graf, Morgan Peters

Adam Koch, Rajani Alvarado

Anna McGrath, Kate Weldon, Kate Jackson

Benny Ballarin, Renee Lewis, Susan Gray, Nicholas Condos

Samantha Mansur, Eloisa Talarico

Carrie Evans, Steve Summers

Shelia and Adya Roy

Parties

Isabel Wallace-Green (photos by Kent Barker and Xavier Mack)

HOUSTON-BORN DANCER AND arts educator Isabel Wallace-Green vividly recalls seeing a performance of Alvin Ailey’s landmark 1960 dance work Revelations as a child, peering over a high balcony in Jones Hall. “The dancers were pretty small!” laughs Wallace-Green, who nevertheless was captivated, especially by a section in Revelations titled “Wade in the Water,” where translucent white, cobalt, and aquamarine cloths are stretched across the stage to evoke baptismal waters and — for African American slaves — the riverbed as a pathway to freedom. “I’d never seen anything like that.”

Keep Reading Show less
Art + Entertainment

FOR ANNA SWEET, the hunger for sugar, carbs, and fat is much like the art world’s hunger for art — especially art made by attractive, colorful, larger-than-life individuals.

Keep Reading Show less
Art + Entertainment