Mum's the Word! Inside ‘Barrier-Free’ Summer Camp’s Million-Dollar High School Heyday

Mum's the Word! Inside ‘Barrier-Free’ Summer Camp’s Million-Dollar High School Heyday

Ginger Bertrand, Susan Walker, Sherwin Gill and Pat Prior Sorrells

THE JOYS OF summer camp are the makings of childhood memories, and contribute to a sense of self-worth and confidence — a fact that is doubly true for those who attend Camp For All, a Houston nonprofit that runs a “barrier-free” camp for children and adults with special needs in the Hill Country town of Burton.


More than 500 supporters, decked out in nostalgic high school-themed attire, attended Camp For All’s “Homecoming” gala at The Revaire. The evening, emceed by Emmy-winning journalist Richelle Carey, included a live auction and remarks by Andrew Simms of The Arc of Greater Houston, who discussed his experiences living with autism and how transformative an experience like Camp For All can be.

The gala also honored Laurie and Jack Maddox, who were dubbed the Homecoming Queen and King thanks to their ongoing support of the organization, and included rousing entertainment by Plush Party Band. The night garnered an impressive $1.1 million.

This year, Camp For All will once again welcome around 10,000 campers — who attend for free! — to its 206-acre site, where a roster of favorite camp activities and a compassionate staff await.

Jack and Laurie Maddox

Gary and Cindy Gerson

Heath and Jennifer Sechrist

Toni Miller, Allison Leibman and Jennifer Zach

Les and Vaughn Clark and John Hastings

Susan Wilson and Barbie Hermis

Louis and Marilyn Mogas

Melinda and Matt Mogas

Stacy and Rickie Duke

Mike and Diann Lewter, Mandy and Philip LeBlanc

Stacie and Rod Pitts

Roman and April McIntosh

Parties

Isabel Wallace-Green (photos by Kent Barker and Xavier Mack)

HOUSTON-BORN DANCER AND arts educator Isabel Wallace-Green vividly recalls seeing a performance of Alvin Ailey’s landmark 1960 dance work Revelations as a child, peering over a high balcony in Jones Hall. “The dancers were pretty small!” laughs Wallace-Green, who nevertheless was captivated, especially by a section in Revelations titled “Wade in the Water,” where translucent white, cobalt, and aquamarine cloths are stretched across the stage to evoke baptismal waters and — for African American slaves — the riverbed as a pathway to freedom. “I’d never seen anything like that.”

Keep Reading Show less
Art + Entertainment

FOR ANNA SWEET, the hunger for sugar, carbs, and fat is much like the art world’s hunger for art — especially art made by attractive, colorful, larger-than-life individuals.

Keep Reading Show less
Art + Entertainment