MFAH Installs Two Provocative Paintings in its Foyer, Presenting Them Together as a 'Portrait of Courage'

MFAH Installs Two Provocative Paintings in its Foyer, Presenting Them Together as a 'Portrait of Courage'

Wiley's 'Judith and Holofernes'

THE ENERGY IN the foyer of the Museum of Fine Arts, Houston’s Caroline Wiess Law Building is quite lively, thanks to the installation of two provocative paintings, painted 400 years apart — one by Artemisia Gentileschi, an Italian 17th-century female artist, the other by Kehinde Wiley, a contemporary, Los Angeles-born queer Black artist. Each depicts the grisly climax in the Old Testament Book of Judith, in which the widow Judith decapitates the Assyrian general Holofernes, thus saving her besieged Jewish city of Betulia.


Presented together as Portrait of Courage and installed on opposite walls, each painting is a masterpiece in its depiction of violence made all the more shocking perhaps because the subject with the sword is a strong, beautiful woman. Portrait of Courage opened Jan. 26 and is on view through April 16.

MFAH associate curator of European Art, James Anno, and associate curator in the Department of Modern and Contemporary Art, Anita Bateman, were tasked with the installation of the paintings, both titled "Judith and Holofernes." “There are many layers and narratives that any particular object proposes,” says Anno of his and Bateman’s roles as curators. “We get to choose what aspect we want to put our finger on and say, ‘Let’s follow this story.’ This is a case where we’re doing that. We’re selecting aspects of the work that dialogue with each other in a sense that’s relevant to us right now.”

Wiley, whose portrait of President Barack Obama along with Amy Sherald’s portrait of First Lady Michelle Obama exhibited at MFAH in Spring 2022, is well known for his heroic portraits of Black men and women, who are not professional models, posed in historical settings and exhibiting gestures appropriated from Old Master paintings.

In Wiley’s "Judith and Holofernes," Judith is modeled by Treisha Lowe, dressed in a blue gown, its color close to that of the dress worn by Judith in Gentileschi’s painting, her left arm at a downward diagonal clutching not the head of a marauding general, but that of Wiley’s studio assistant, who is female and white. Including his assistant may be another allusion to the complex role of an artist assistant during the Baroque era of painting, but Lowe’s dramatic hairstyle, carefully applied makeup, and tattoo are thoroughly contemporary. She stands with just a hint of onstage theatricality, the colors of her ensemble and fingernails complemented by an opulent backdrop of flowers and traces of blood on a sheathed sword.

'Judith and Holofernes' by Gentileschi, left, and Wiley

Meanwhile, there’s nothing understated about Gentileschi’s Judith; this is a woman who is not afraid to get her hands bloody. With a little help from her maidservant, Judith holds the struggling Holofernes firmly by his hair with her left arm while using a sword in her right to calmly saw off his head. Gentileschi’s Judith may be a self-portrait; Gentileschi painted this after she had been raped by a family friend, who was brought to a trial in which Gentileschi was tortured with thumb screws to ensure she was telling the truth.

It is heartening to see museums stepping up via their curatorial decisions to challenge the male, Euro-centric narrative of the history of art and societal definitions of whose bodies are “beautiful” and worthy of being painted. But Anno, Bateman, and MFAH director Gary Tinterow all point out that this is something artists throughout the ages have always done.

“You have these artists who have always been at the vanguard of what they’ve been doing, whether they be African American contemporary artists or a 17th-century woman painter, then you have these people who may not understand what they’re doing in the moment,” says Bateman. “But culture catches up to what they’re doing,”

Art + Entertainment
Chapman & Kirby Launches Free Concert Series for Spring

Danny Ray and the Atlantic Street Band performs May 31 (photo from dannyrayatlanticstreetband.com)

CHAPMAN & KIRBY, THE premier event destination in Houston’s East Village, is thrilled to announce the launch of its Spring Music Series, kicking off on Friday, April 12. Chapman & Kirby has become synonymous with top-tier events and unforgettable experiences, many attended by celebrities both local and worldwide. With concert ticket prices soaring to hundreds and even thousands of dollars in the last year, this eight-week music series promises to be a welcomed opportunity to engage with live music for free, showcasing an eclectic lineup of talented acts.

Keep ReadingShow less

Sol 7 at Thompson Houston Hotel

ON THIS BEAUTIFUL spring day, celebrate the outdoors — and a host of new hot spots! Whether in the mood for healthful, fun and sporty, or elegant, pull up a chair at one of these tables.

Keep ReadingShow less
Food

Mint julep sips at — where else? — Julep

ON MAY 4 IN Kentucky, thousands of race fans will don their springtime finest and excessive headwear to watch horses run around the track for exactly one and a quarter mile. Join the mint-julep fun at Houston’s three top spots to witness “the fastest two minutes in sports” — and just maybe win a costume contest.
Keep ReadingShow less
Food