LINDSEY BROWN IS nationally known for her public relations savvy, great restaurant and art accounts, and quick-fire support of inquiring journalists. But few know that she co-founded the Southern Smoke Foundation back in 2015 with her now husband, Chris Shepherd. Brown recently announced she has stepped into a new role as executive director of the Southern Smoke Foundation.
“Southern Smoke has been a huge part of my life for nearly a decade, and I’m so excited for the opportunity to join the staff,” says Brown. Southern Smoke Foundation is a 501c3 nonprofit that supports the food and beverage industry nationwide when it is in crisis. In her new role, Brown works closely with the board of directors and staff to drive the foundation’s mission and ensure its financial stability and growth. Southern Smoke’s previous executive director was Kathryn Lott, who recently joined Discovery Green.
“We have a lot in the works — we’re expanding the capacity for our mental health services; we’re taking Southern Smoke on the road to increase awareness about what we do; and we’re planning new events in addition to our annual festival in 2024,” says Brown. She tells CityBook that above all, the team is focused on the mission of Southern Smoke — to provide emergency relief funding and free mental health counseling to anyone in the food and beverage industry and ensure that food and beverage workers have a safety net.
Brown founded Lindsey Brown Public Relations in 2016 promoting food, beverage and arts clients to local, regional and national media. Prior to her years in hospitality PR, she was director of marketing and public relations for the Greater Houston Convention and Visitors Bureau for 10 years. She launched the Where the Chefs Eat Houston Culinary Tours program, which was the winner of the Public Relations Society of America’s Silver Anvil Award in 2011, and worked with local, regional and national media to further Houston’s reputation as a tourist destination.
After graduating from the University of Texas at Austin with a degree in public relations, Brown began her career at Vollmer Public Relations in the company’s Dallas and Houston offices. She also served as the special projects coordinator for the Houston Ballet Academy. A trained ballerina through age 18, Brown later co-founded the Houston Ballet’s young professionals’ group, Ballet Barre, which has more than 200 members in its sixth year. She continues to support the organization as a member of the board of trustees and serves on the advisory board of Dress for Success Houston.
Regarding hiring a new executive director, Kevin Gee, vice president of the board and chair of the search committee, said, “This decision for the Southern Smoke Foundation was not taken lightly by the individuals who serve passionately as the board of directors. When all candidates were considered and vetted after a careful and thorough process, one candidate stood out with that same amount of passion, and it just happened to be our co-founder, Lindsey Brown.”
To take on this full-time role at Southern Smoke Foundation, Lindsey is shuttering her public relations firm. Brown will be transitioning the bulk of her clients to Giant Noise, a public relations and digital marketing agency with offices throughout Texas and its newest office in H-Town. Brown will stay on as a consultant with Giant Noise through the end of the year.
Founded in 2006 and led by CEO Elaine Garza, Giant Noise has a team of 50-plus with offices in Austin, Dallas, San Antonio and now Houston. With a focus on lifestyle, hospitality and the arts, Houston is a market Giant Noise has long had its eye on. Giant Noise will also now be the PR agency of record for Southern Smoke Foundation, focusing on promoting the mission of the foundation and the Southern Smoke Festival on Friday, Oct. 13 and Saturday, Oct. 14, 2023.
“Lindsey and I have been friends and peers for more than 10 years, and I deeply respect and admire her work not only in PR, but also with Southern Smoke, an organization I support. We are thrilled to be working with her on this transition and to grow with Lindsey and the team in Houston,” said Elaine Garza.
Does the busy Ms. Brown ever take any time off? “When I’m not working, I love hanging out at home with our cats Beans and Rosie (Chris and I are more than a little obsessed with them!). I also love reading — my goal is 25 books this year — and good TV. I’m excited for Only Murders in the Building and The Morning Show to come back this fall.”
From @southernsmokefoundation on Instagram
From @southernsmokefoundation on Instagram
From @southernsmokefoundation on Instagram
From @southernsmokefoundation on Instagram
Keep Reading
Show less
Messinger's '9 Clouds' and Laszczynski's 'Let It Through'
ON VIEW NOW at Foltz Fine Art is Summer’s End, a very colorful, very summery show of paintings, mixed media, and 3D works by five contemporary Houston-based artists. The exhibit includes works by Matt Messinger, Peter Healy, DUAL, Melinda Laszczynski, and Jonathan Paul Jackson, who along with gallery owner Sarah Foltz curated last September’s well-received group show Texas Emerging: Volume III. Summer’s End runs through Aug. 26, and an artist reception will be held at the gallery Saturday, Aug. 19 from 4-6 pm.
“It’s beautifully curated,” says Jackson of Summer’s End. “I respect all of these artists so much. All of the work is so mature, and it all fits so well together.”
Jackson, whose latest body of work combines his photographs of Texas foliage and nature embellished with paint and other materials, may be one of the most prolific artists currently working in Houston. His earliest memories include drawing alongside his maternal grandfather, a former air force airplane mechanic and talented draftsman. As Jackson became more and more immersed in making art, his family rallied to support his talent. “They stopped buying me toys at Christmas, and started buying me sketchbooks and art supplies,” says Jackson, who has since channeled that early, unconditional support into his work as a curator of and advocate for his fellow artists.
Jackson’s works in Summer’s End include “Untitled Variation #16,” part of a series he created during the Covid-19 pandemic. At that time, Jackson was living in a house off of Riverside drive, with a nice garden, and like many folks in lockdown, spent a lot of time outdoors, taking photos of the flowers with his smartphone. Jackson was soon inspired to enlarge the photos with a wide format printer, and enhance the images with his loose, distinctive painterly gestures. “I wanted to share that process and expression with people,” says Jackson, who posted the resulting paintings on Instagram, and in doing so was reminded of Claude Monet’s Water Lillies, a series created by the artist as a visual balm for the horrors and post-traumatic stress of World War I.
Jackson’s “West Texas Expression” is another striking combination of painting and photographs; like all of the artists in Summer’s End, Jackson uses the materials for making art in unexpected ways, and each disparate gesture and image in “West Texas Expression” magically hangs together as a composition. He created the work during a two-week residency in June 2020 at a beautiful, remote, desert hotel in Terlingua called Willow House that in wake of the murder of George Floyd, decided to offer its annual residency exclusively to Black creatives. “West Texas is so quintessential Texas,” says Jackson, who took hundreds of photos during the residency. “I wanted to bring this thing called nature back to Texans.”
So are there rules to follow in order to create such an unusual yet beautifully composed painting?
“The art critic Jerry Saltz once said you have to get out of your way to make ‘bad’ art, because that’s how good art comes about,” says Jackson. “Just get it out, and don’t worry about it!”
These are stressful times, but the pleasure principle is in full effect in Summer’s End, as the works on display encourage the viewer not only to look but to exhale and let go of anxiety and stress. Chances are pretty good you will leave the show with a smile on your face.
From Your Site Articles
- Houston Artist Hangs Funky New Works That Are Anything But Socially Distant ›
- Artist Cara Barer’s New Show Invites Viewers to Embrace the Emotions of Quarantine ›
- After Eight Years Away, Ibsen Espada’s Solo Show Is Extensive — and Evolutionary ›
- In Vibrant New Show at Foltz, Two Takes on Nature and Spirituality Meld ›
Related Articles Around the Web
Keep Reading
Show less