parties

All-Star Soiree Celebrates Reagan Bregman’s Stylish New Jewelry Venture

Dayton Box
All-Star Soiree Celebrates Reagan Bregman’s Stylish New Jewelry Venture

Daniella Correa Rodriguez, Iris Shaftel, Reagan Bregman, Kara McCullers

AN ALL-STAR crowd hit Tanglewood’s Shaftel Diamonds for a luxe launch party toasting Reagan Bregman’s new jewelry line, With Love.

Nearly 100 fashionistas, beauty queens and ballplayers joined the Astros wife in celebration. Guests were welcomed withspicy “Reaggie Ritas,” served on the rocks by El Tiempo Cantina, which they sipped to the soundtrack of DJ Nicholas Yapp. Meanwhile, Chef Rey served up grilled shrimp and white chocolate covered strawberries.

With Love features elevated everyday pieces designed to last, all inspired by Reagan’s own on-the-go lifestyle, which calls for versatile and high quality yet affordable pieces that anyone could wear with ease.

Spotted in the crowd were Alex Bregman, Jeremy Peña, Kara McCullers, Daniella Correa, Taylor Kessler, Phyllis Mandola, Elizabeth Landry and Jasmine Nguyen.

Alex Bregman, Reagan Bregman, Iris Shaftel, Danny Shaftel

Stacy Epps, Madison Kinley, Jasmine Nguyen, Danielle Dubois

Ashley Kanzler, Julia Morales Clark, Samantha Scott, Esther Firova, Melissa Baker

Kathryn Swain, Molly Johnson Stone

Olivia Brady, Cheryl Brady

Vasiliqi Turlla, Reagan Bregman, Alexandra Rich

Parties
travel

A Dreamy L.A. Escape Entails Opulence, Intrigue — and Even Some Walking

Life’s a beach in Santa Monica

DOGS WITH PONYTAILS. Someone dressed like Jimmy Buffet on psychedelics blaring music from a speaker hanging from his neck. Another gent taking a conference call on a ’90s-era headset at the skate park. These are all scenes from a leisurely hour in Venice Beach, where eclecticism and luxury intersect in true Los Angeles fashion.

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People + Places
coolest people

In Homecoming Show, Isabel Wallace-Green Dances Her Way Back to Jones Hall with Alvin Ailey Company

Isabel Wallace-Green (photos by Kent Barker and Xavier Mack)

HOUSTON-BORN DANCER AND arts educator Isabel Wallace-Green vividly recalls seeing a performance of Alvin Ailey’s landmark 1960 dance work Revelations as a child, peering over a high balcony in Jones Hall. “The dancers were pretty small!” laughs Wallace-Green, who nevertheless was captivated, especially by a section in Revelations titled “Wade in the Water,” where translucent white, cobalt, and aquamarine cloths are stretched across the stage to evoke baptismal waters and — for African American slaves — the riverbed as a pathway to freedom. “I’d never seen anything like that.”

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Art + Entertainment