Georgia James
Relish
Through March 7, the River Oaks neighborhood favorite will whip up rib-sticking rodeo eats including 44 Farms mini corn dogs and all-beef hot dogs with spicy mustard. Its puled-pork sandwich comes with Relish BBQ sauce and slaw on a brioche bun with a side of fries, and the Rodeo Burger, also with Relish BBQ sauce, is stacked with house-ground beef, cheddar, shoestring onions, and a side of fries. Rodeo Ribs — a half rack of smoked St. Louis ribs — come with choice of collards or fries (available at dinner time only). New cocktails like the Space City Cowboy with bourbon, blackberry, mint, lemon and maple, and the Rodeo Rita with mezcal, tequila, lime and blood orange, are fitting for city slickers.
Trill Burger's Trillen's burger (photo by Dylan McEwan)
Trill Burgers, co-founded by Houston’s own Bun B, will offer two new items for the Houston Livestock Show and Rodeo in collaboration with Houston chef Ronnie Killen: Trillen’s Burger topped with Killen’s Sweet Barbecue Sauce, and Trillen’s Brisket Fries. Items are only available at the Trill Burgers Rodeo booth in Rodeo Plaza (RP65) outside of NRG Center at NRG Park Feb. 27-Mar. 17. Trill Burgers’ outdoor Rodeo Plaza location will offer the OG Burger and Vegan OG Burger combos. Rapper Bun B’s “All-American Takeover” March 12 features special guest performances by Rick Ross, E-40, Too Short, That Mexican OT and more. Tickets are available at rodeohouston.com.
GJ Saloon (photo by Becca Wright)
To celebrate Rodeo season, Georgia James is turning its expansive upstairs lounge into a western-themed watering hole playfully named “GJ Saloon.” Feb. 28-March 16, hang out rodeo-style in the saloon with live musical performances every Wed.-Sat.; live airing of the Houston Livestock Show & Rodeo on its TVs; daily happy hour from 5-7pm ($1 oysters, $7 martinis and more). A three-course Rodeo Prix Fixe ($95) stars fine steak and seafood, and specialty rodeo-themed cocktails including Mr. Cash’s Fire Water (tequila, passion fruit, hibiscus, jalapeno, lime, sparkling water, tajin rim), and more. The entire Georgia James menu will be on offer in the GJ Saloon.
Underbelly Hospitality’s serene Italian spot will offer a prix-fixe menu ($70) during rodeo season. Two-step on over for four courses with your choice of salads, ravioli or spaghetti and meatballs, and entrees of Gulf snapper or strip steak. For dessert, tiramisu or chocolate tart will not get the boot!
Downtown rodeo revelers can rustle up western-themed bites before hitting the road (or the light rail at the nearby Preston station). Hotel ICON's restaurant and bar dishes out a festive menu of food and happy hour specials Mon.-Fri., 2 p.m to 6 p.m. Drop in for chopped brisket, barbecue grilled polenta, Texas venison stew, blue pig burger and pulled duck confit sliders. Texas draft beers are $3.
CIEL
Want to keep the party going? CIEL’s kitchen will stay open until 1am on Fridays and Saturdays with a late-night menu featuring ribeye, French fries and truffle pizza for rodeo-goers. Bottle specials are on offer every night for the duration of rodeo season; and the restaurant offers a luxury sprinter van that can shuttle guests to and from CIEL to the Rodeo (and vice versa). Interested parties can call the restaurant or email info@cielhtx.com to reserve the service.
Goode Co. BBQ
Goode Co. will offer a special limited-time menu item through rodeo season at Goode Co. Armadillo Palace and Goode Co. BBQ on Kirby. At Armadillo Palace, guests can order the All-Night Revival, a cocktail featuring Milam & Greene Bourbon, lemon, strawberry, ginger and amaro. At Goode Co. BBQ, its 1977 Sandwich is piled high with sliced brisket, ham, mac’n’cheese, jalapeno, bacon and onion.
Beginning Feb. 27, the Enchilada Queen will bring back the Texcoco Enchilada, a fiery barbacoa enchilada topped with chile de arbol red sauce, fresh chopped onions and cheese. The special ($17.95) includes rice and beans or a salad and is available for lunch and dinner during the entire run of the rodeo.
An untitled 1975 photo by Michael Abramson
Located down the street from Holocaust Museum Houston and Asia Society Houston, HMAAC continues to hit it out of the park with exhibitions and programming that recognize the contributions of Black artists to American culture and the history of art, while reinforcing the modern adage, “Every month is Black History Month.”
The Bert Long, Jr. Spring Survey Exhibition is open annually to Houston-area emerging artists. This year, there are nine artists on view, and one of the artists will be chosen for the 2024 Bert Long, Jr. Prize which includes a $3,000 cash award and a summer solo exhibition in the Bert Long, Jr. Gallery. The quality of all of the artwork in this year’s survey is exceptional; from Ann Johnson’s intaglio prints on raw cotton; to Morgan Grigsby’s dramatic and sensual oil-on-canvas portrait “Bottle Girl;” to Christopher Paul’s Gullah-inspired sound, video, and sculpture installation “Great Was the Ecstasy.” Photography, lithography, and other mixed media are also represented in this wide-ranging survey.
Shavon Morris's 'Transfiguration,' collage on canvas, 2024
Pervs, Peppers, and the High Chaparral were three Black nightclubs located on Chicago’s South Side in the 1970s where photographer Michael Abramson, a white man, embedded himself with a Leica flash camera to document the scene. Dressed to the nines, the working-class crowds danced, smoked, and smooched to the sounds of underground funk and early disco. “Imagine Ernie Barnes’ Sugar Shack painting, but as photographs,” is how Blay describes this sexy collection of nocturnal craziness. “The result is an invaluable legacy of Black joy expressed in images of people in Black and queer spaces.”
Complementing Abramson’s photos, and taking its name from the classic 1978 song by Funkadelic, One Nation, One Groove explores the history of African American music — with nods to Houston’s own Archie Bell and Johnny Nash — as an expression of the human condition and a driving force for social change. The exhibition includes reprinted archival images of performances, advertisements, posters, and signs from several eras, including images of Houston’s own Arnett Cobb and Milt Larkin, as well as vinyl records, barbershop chairs, and hip-hop and jazz videos. QR codes throughout the installation lead to playlists of music referenced in the show.