Get a Pre-Valentine’s Rush at this Hot Spot’s Wine & Dine Series

Get a Pre-Valentine’s Rush at this Hot Spot’s Wine & Dine Series

Navy Blue's branzino (photo by Caroline Fontenot)

WINE, CANDLES AND FINE cuisine — almost all the elements needed for a romantic evening. Not into the crowds or strict reservations this Valentine’s Day? When you want to woo your loved one your way, consider Navy Blue’s Mondays with Molly.

The monthly series is for wine- and food-lovers, and the next one is Feb. 12, which means you can duck the Valentine’s Day frenzy by attending. Molly Austad, the sommelier for Navy Blue and Bludorn, takes a deep dive into wine and food pairings and educates guests on wine varietals and the art of tasting wine. Four- or five-course meals and pairings are usually kept a delightful surprise, so it’s a little like opening a box of chocolates.

The superstar sommelier kicked off the four-part monthly wine club dinner series back in October. Her topic for the evening was “How to Sound like a Wine Expert” in an intimate and interactive dinner setting. Tables are set up the private room at Navy Blue, so you won’t have to compete with the main dining restaurant activities. You can be sure that restaurateur-chef Aaron Bludorn will include fresh seafood on the menu!

If you can’t make it Feb. 12, both Navy Blue and Bludorn will offer an a la carte specialty menu Feb. 14, as well as delectable desserts from pastry chef Marie Riddle. Guests also have a chance to add a bountiful bouquet for their significant other or a bottle of Champagne ahead of time.

Molly Austad (photo by Julie Soefer)

Key lime pie (photo by Caroline Fontenot)

LeBrina Jackson (photo by Shamir Johnson)

LEBRINA JACKSON, A noted equestrian with a fascinating story of overcoming challenges to succeed and grow, has always been an entrepreneur with a nurturing spirit. Even as a child growing up in Fifth Ward, she sold homemade popsicles — with fruit juice frozen into Styrofoam cups — for fifty cents, to cool her customers down on hot summer days.

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(photo by Robert Kusel)

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TO BE BLUNT, there’s opera, and then there’s Wagner. By the time Richard Wagner had completed Parsifal in 1882, he was using the word bühnenweihfestspiel (“festival play for the consecration of a stage”) instead of “opera” to describe this four-and-a-half-hour epic, where music, drama, lighting, architecture, and quasi-religious ritual come together to create what the Germans called “gesamtkunstwerk,” or a total work of art. In the past decade, only two U.S. opera houses have had the guts to take on Parsifal, which makes the upcoming Houston Grand Opera production even more of a must-see, given how rarely this complex and controversial opera is staged.

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