What's Old Is New

During the winter of 2016, Houston native Kat Edmonson fell ill. Unable to kick a bad cold for weeks, she burrowed into her Brooklyn apartment, flipped her television to theTurner Classic Movies channel — and began to write. The end result? Her just-released fourth album, Old-Fashioned Gal, a bouncy, jazzy record that channels the energy of a MGM musical. In fact, Edmonson says that as she wrote the 11 songs, she envisioned film scenes that corresponded with each — eventually conceptualizing an entire movie. She performs May 21 at Heights Theater.

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The Cat's Meow

They might be politically outspoken and unafraid of spilled milk, but mostly Giant Kitty just wants you to have fun.

Daniel Ortiz

Music is too serious nowadays, says Cassandra Chiles. “I think it’s that way in art in general,” says the guitarist in fun-as-all-get-out, Houston-based “riot grrrl” — a.k.a. feminist punk — band Giant Kitty. She recalls what she feels were less serious times: “The Pop Art movement of the ’60s, the absurdity of it all. Even stuff in the ’80s or ’90s. You look at a band like The Presidents of the United States of America. Who could’ve taken those guys seriously? But it sure was fun. I wish there was more of that now.”

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Art+Culture

Upon first sight and first listen, Houston band Khruangbin (the name means “engine fly” in Thai) might seem to be — at least in the context of its genre, Southern rock — an exotic anomaly: The trio’s mostly instrumental music is spacious and hypnotic, with influences as far ranging as Middle Eastern and Asian pop music, ’70s-era jazz funk, and spaghetti Western soundtracks. In performance, bassist Laura Lee and guitarist Mark Speer are all smiles, and wear straight black wigs with bangs nearly hiding their eyes. Meanwhile, drummer Donald “DJ” Johnson, whose sartorial choices are as colorful as Lee and Speer’s, holds down the tempos with a zen-like calm.

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Art + Entertainment