The Alley’s Virtual Yet Intimate Production of ‘A Christmas Carol’ Is Meta — and Marvelous

The Alley’s Virtual Yet Intimate Production of ‘A Christmas Carol’ Is Meta — and Marvelous

David Rainey as Scrooge; photo by John Carrithers

As the world waits for a Covid-19 vaccine, and arts organizations continue exploring how to work with limited resources and new technologies to bring classic and contemporary stories to audiences in isolation, Houston's renowned Alley Theatre has stepped up with a newly filmed production of A Christmas Carol, now available to view online for free through Dec. 27.


"It's not like any production we've done before," says David Rainey, who plays the dual role of Scrooge and a grumpy stage manager among a company of exuberant actors preparing to perform the Dickens classic. It's a very "meta" version of the Dickens classic, free of irony and full of heart, and an example of how to create a digital experience that, in Rainey's words, "feels like theater."

To realize what had to be a contactless production, the Alley delivered cameras, lights and tripods to each cast member, who were then tasked to construct a "mini-studio" in their homes. "It was a lot of stuff," says Rainey, who initially struggled to find room in his place to light and film his performance. In addition to costumes and props designed to evoke Victorian-era England, including quills, top hats, and the Cratchit family's scrawny Christmas turkey, several modern-day creature comforts found their way into the production. Spoiler alert: Tiny Tim (Mack Hutchison) plays a drum kit while the Director (Todd Waite) dances with a giant stuffed penguin.

While filming, the cast adjusted their performances to suit the intimacy of the production. "The camera can pick up a lot more," explains Rainey. "So, there wasn't a need for you to project as much. You could have more subtle moments." That said, the camera work throughout A Christmas Carol is up-close and personal; for longtime fans of the Alley, the front row experience will feel like a visit from old friends.

The Alley recently announced the remainder of its 2020-21 season will be entirely digital, with both short and full-length plays produced with the technology used for A Christmas Carol. "I think people are applauding the fact that theaters are being innovative," says Rainey, "that we are not rolling over, but instead asking, 'What can we do with this?' I think we're finding really good answers to those questions."

To view A Christmas Carol, patrons must register at alleytheatre.org. Subtitles in Spanish and Vietnamese and closed captioning in English are provided.

Art + Entertainment
Fried Chicken, Fancy Bubbles, and a Side of Glamour: Sundays at The Marigold Club Just Got Fun

Chef-owner Austin Waiter of The Marigold Club, now serving fried chicken and Champagne on Sunday nights.


IF YOUR SUNDAY nights could use a little sparkle—and a lot of fried chicken—The Marigold Club has just the thing. Starting May 25 at 5pm, the Montrose hotspot known for its playful mix of Southern charm and London polish is rolling out a new weekly tradition: Fried Chicken & Champagne Sundays.

This isn’t your average comfort food situation. We're talking a shareable fried chicken dinner for two, made with farm-raised birds from Deeply Rooted Ranch, and served alongside buttery whipped potatoes, minted peas, aged cheddar scones, and some over-the-top sauces — including a foie gras sauce supreme that’s as extra as it sounds.

Keep ReadingShow less
Food

Kristi Ison, Rebecca Pritchard, Nora Jarrard, Katie Tsuru, Ronda Carman

H-TOWN FOOTBALL JUST got a fashion upgrade. The Texans teamed up with Houston’s own Christy Lynn to debut a first-ever capsule collection that swaps jerseys and hoodies for silk sets, chic dresses, and elevated knitwear — all in the team’s signature colors.

Keep ReadingShow less
Style

Sonja Kostich, Margaret Alkek Williams, and Jim Nelson

HOUSTON BALLET’S 2025–2026 season opened in high style with a double celebration. After the curtain fell on Onegin — John Cranko’s tale of love and rejection — more than 220 patrons gathered on stage at the Wortham for the annual Opening Night Onstage Dinner, one of the company’s most anticipated traditions.

The evening paid special tribute to Jim Nelson. Nelson, who took the helm as Executive Director in 2012, guided the Ballet through the aftermath of Hurricane Harvey and the challenges of COVID. During dinner, Nelson was honored with a proclamation from the City of Houston. Even Nelson’s mother attended and received a special shout-out during his dinner toast.

Keep ReadingShow less
Parties