(photo by Robert Kusel)

Parsifal

TO BE BLUNT, there’s opera, and then there’s Wagner. By the time Richard Wagner had completed Parsifal in 1882, he was using the word bühnenweihfestspiel (“festival play for the consecration of a stage”) instead of “opera” to describe this four-and-a-half-hour epic, where music, drama, lighting, architecture, and quasi-religious ritual come together to create what the Germans called “gesamtkunstwerk,” or a total work of art. In the past decade, only two U.S. opera houses have had the guts to take on Parsifal, which makes the upcoming Houston Grand Opera production even more of a must-see, given how rarely this complex and controversial opera is staged.

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Art + Entertainment

Sarah Sudhoff (photo by Katy Anderson)

SINCE THE 1970s, Houston’s cultural scene has only grown richer and more diverse thanks to the DIY spirit of its visual artists. As an alternative to the city’s major museums (which are awesome) and commercial galleries (again, awesome), they show their work and the work of their peers in ad-hoc, cooperative, artist-run spaces — spaces that range from the traditional white cube interiors, to private bungalows, to repurposed shipping containers.

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Art + Entertainment

The Line by Rick Lowe (Photo by Will Michels, courtesy of Public Art UHS)

LAST MONTH, IT was announced that Houston-based artist and Project Row Houses co-founder Rick Lowe’s majestic map collage The Line will be on permanent display to the public at the University of Houston’s new John M. O’Quinn Law Building.

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