Crawfish, Country Stars and a Cause: CrawFest 2025 Delivers

Crawfish, Country Stars and a Cause: CrawFest 2025 Delivers

Heather Almond and Zinat Ahmed

NEARLY 1,700 GUESTS headed to Cotton Ranch in Katy for Cotton Holdings’ 13th annual CrawFest — a Texas-sized evening of food and music. The event raised a record-breaking $768,000 for the Cotton Foundation, which supports families facing disaster, illness and hardship.


The real star of the evening? 6,500 pounds of crawfish, served up with all the fixings — plus Gulf Coast favorites like lobster fritters, seafood fondue, boudin balls and bread pudding with a boozy twist.

Guests got competitive during the live auction, which featured everything from Caribbean escapes to helicopter hog hunts. A chocolate lab puppy named Blue Bell stole the show — and a new home — with Cotton EVP Zinat Ahmed. He’ll be trained as an emotional support pup for visitors to Taylor’s Place, a retreat for families facing terminal illness that’s set to open this fall.

Closing out the night? A crowd-pleasing performance by country star Mark Chesnutt, who brought the house (or barn) down.

In the crowd was Pete Bell, Fady Armanious, Ellie Francisco, Whitney Kuhn Lawson, Kristen Cannon and Heather Almond.

Bailey Bell Layne and Pete Bell

Opening Performance by Bayou Roux

Houstonians traveled to CrawFest at the Cotton Ranch in Katy

Stacey Lindseth, Fady Armanious, Ally Ehrman

Balloon Details

Crawfish


Parties

LeBrina Jackson (photo by Shamir Johnson)

LEBRINA JACKSON, A noted equestrian with a fascinating story of overcoming challenges to succeed and grow, has always been an entrepreneur with a nurturing spirit. Even as a child growing up in Fifth Ward, she sold homemade popsicles — with fruit juice frozen into Styrofoam cups — for fifty cents, to cool her customers down on hot summer days.

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(photo by Robert Kusel)

Parsifal

TO BE BLUNT, there’s opera, and then there’s Wagner. By the time Richard Wagner had completed Parsifal in 1882, he was using the word bühnenweihfestspiel (“festival play for the consecration of a stage”) instead of “opera” to describe this four-and-a-half-hour epic, where music, drama, lighting, architecture, and quasi-religious ritual come together to create what the Germans called “gesamtkunstwerk,” or a total work of art. In the past decade, only two U.S. opera houses have had the guts to take on Parsifal, which makes the upcoming Houston Grand Opera production even more of a must-see, given how rarely this complex and controversial opera is staged.

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Art + Entertainment