Top Web Stories of ’18

In case you missed ’em, these were the three most widely read stories of the year at CityBook online!

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What do a repurposed gay bar, Lynn Wyatt and an exhibition by a beloved Houston artist have in common? It may sound like the beginning of an odd joke, but these were the subjects of the most read stories of 2018 at HoustonCityBook.com.


As the new year gets underway, take a short trip down Memory Lane, to our then-breaking-news story about the new wine-café plans for the old Montrose Mining Company bar, the most clicked-on story of the year; our Leaders & Legends portrait series with Wyatt and other Houston luminaries, a print feature whose digital incarnation ranked second; and, coming in third, our piece by Chris Becker on widely admired painter Francesca Fuchs, 2018 Texas Artist of the Year, as her latest show bowed at Inman Gallery a few months back.

And get ready for another great year of fascinating Houstonians making news at Houston CityBook, in print and online. As we often say, “CityBook is Houston’s magazine.”

Dispatches
Reyna Group Owner Leads Real Estate Market with Passion and Excellence

MICHELLE REYNA WYMES, a distinguished name in the Houston real estate market, is the owner of the successful boutique brokerage, Reyna Group. Born and raised in Houston, Texas, Michelle has deep-rooted connections to the community she serves with dedication and pride.

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The lobby of White Elephant Palm Beach

COVERED IN VERDANT vines and flanked by tall palm trees, the entrance to the White Elephant Palm Beach feels like passing into a stately home, rather than one of the island’s newest resorts. The building is 101 years old, and while the original footprint and façade remain, the interior has a decidedly updated, ultra-luxe beach vibe.

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Photographer Jhane Hoang with two covers she photographed

ONE OF Houston CityBook’s most beloved photographers was recently diagnosed with stage four cervical cancer. Jhane Hoang has been behind the camera for some of the magazine’s most ambitious shoots — including an overnight shoot at the then-new Weiss Energy Hall at the Houston Museum of Natural Science, and a cold rainy shoot at the Houston Zoo where the crew used a concessions stand as a staging area for hair and makeup.

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