LAST FALL, HOUSTON writer, poet, playwright, and performer Deborah D.E.E.P. Mouton enjoyed great success at Stages with her play Plumshuga, a celebration of the life story of legendary ballet dancer Lauren Anderson. In her brand-new, debut memoir Black Chameleon: Memory, Womanhood, and Myth, Mouton shares her own story in prose that reimagines the possibilities of what an autobiography can be. Publishers Weekly calls Black Chameleon “a spirited portrait of Black American womanhood,” and it is certainly another fine example of the high level of literary innovation and excellence to be found in Houston.
Throughout Black Chameleon’s 300 pages, Mouton skillfully amalgamates first-person details of growing up in California as the daughter of a preacher and a tough but loving mother with fantastical moments drawn from Black American folklore, mythology, fairy tales, and her own crazy imagination.
In a chapter titled “To Keep From Crying,” Mouton, who won a two-year term as Houston’s poet laureate in 2017 when she was working full-time as an English teacher, describes chaperoning a school trip to Six Flags, and the psychic trauma she unexpectedly experiences while unsuccessfully attempting to fit her body into the harness of a rollercoaster. Mouton writes: “I didn’t know how I had gotten there. Maybe it was two high-risk pregnancies, or depression after losing a child. … Or maybe it was the autoimmune disease and my inability to keep my body out of starvation mode. … How did I let myself get so out of control?” A second attempt magically triggers her body to shape-shift to the size of a “magnificent gold” giantess: “The plastic seat exploded from my hips, and I looked down as the track in front of me bent and the line began to scatter.” In the aftermath of the event, Mouton concludes: “What are we Chameleons but the greatest imposters? Convincing ourselves that we can fit into the world…. But there is no longer a reason to hide when so much shelter can abound.”
“All of us, not just Black women, have something about ourselves that we would want to change or want to hide,” says Mouton when asked about those last lines. “But the more we embrace those things, the more we come into making space for other people to connect with us and really see us for who we are.”
For Mouton, one such person is her husband, a life partner who is foreseen by Mouton’s father at the end of the chapter “Spare the Rod,” and has “picked every lie out of the air that I could give for an excuse not to love myself.” (Mouton and her husband are parents to a 10-year-old daughter and a 6-year-old son.)
With its vivid descriptions of Mouton as a child being beaten by her mother as punishment for misbehaving, “Spare the Rod” is one of the more harrowing chapters in Black Chameleon. “It’s kind of this last-ditch effort to try to hold on to and as much as you can control making sure that your child comes out right,” says Mouton of those beatings. “In some ways, it’s its own kind of love, which is scary, and also understandable.” She’s delighted to share that her mother loves Black Chameleon. “She read it cover-to-cover in a night!” says Mouton. (Mouton’s father passed last April and did not have the opportunity to read the book.) “She said it confirmed some things she thought I felt, but she is super proud of me and the work.”
On March 7, Kindred Stories bookstore will host an in-person talk with Mouton and artist Delita Martin, who created the cover of Black Chameleon, and on Mar. 10, Mouton will be at Brazos Bookstore for reading and Q&A.
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All-Star Lineup of Musicians to Play 'Jazzy Sundays in the Parks' Concert Series, Kicking Off this Weekend
Mar. 1, 2023
Robert Glasper (photo courtesy of Discovery Green)
SPRING! THOSE FEW all-too-short months between winter and summer when the weather in Houston reminds you of how nice being outdoors can be. It’s the perfect time for three of the city’s fabulous green spaces to roll out Jazzy Sundays in the Parks, a free, family-friendly series of concerts featuring some of the city and region’s most talented jazz, zydeco, gospel, blues R&B, funk, Brazilian, and Latin musicians.
The weekly series gets rolling Mar. 5 at Emancipation Park with a performance by Houston-born pianist Robert Glasper, whose talents extend beyond jazz and into the realms of hip-hop and R&B. Glasper made waves recently after winning the 2023 Grammy for Best R&B Album for Black Radio III, which prompted a bewildered Chris Brown (who apparently doesn’t listen to a lot of jazz) to post on social media: “Who da (expletive) is this?” Glasper turned the potential (expletive) storm into another win by creating a now sold-out T-shirt that read “Who TF is Robert Glasper” and donating a portion of the sales to the Community Music Center of New Orleans, which provides free music lessons to underprivileged youth. Glasper shares his Sunday in the park set with Hutson Percussion & Friends, led by percussionist brothers Darius and David Hutson.
Discovery Green (photo by JVince)
Also on tap for the month of March are Matthew Hartnett & The Gumbo All-Stars and Nooney & The Zydeco Floaters (Mar. 12); jazz, funk, and fusion quartet Stretch and Vanguard Collective (Mar. 19); and singer-songwriter Lenora who will share a set with Jeremy Joseph (Mar. 26).
In April, the music heads over to Discovery Green, with music by The Felix DeLeon Quintet and The Trade (April 9); Houston-born MacArthur mad genius Jason Moran and The Stuart Adams Collective (April 16); blues singer Diunna Greenleaf and Britney Bloom & Strangers on Earth (April 23); and Marlon Simon & The Nagual Spirits and Adriano Santos Brazilian Jazz Quartet (April 30).
Finally, in May, at The Water Works in Buffalo Bayou Park, music lovers can check out sets by The Suffers and Maryum Echo (May 7); jazz pianist James Francies and saxophonist Cliff Gordon (May 14); The Gabriel Santiago Project and Matt Serice with Along Those Lines (May 21); and David Michael Watt with Texas soul man and Houston CityBook 2022 Music Issue star Micah Edwards (May 28).
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