The Menil’s Reopening Plan

Covid shut its doors in March, but the Menil reopens with an artful vengeance next weekend.

Paul Hester
Installation view of Helen Frankenthaler, Hybrid Vigor, 1973. Photo by Paul Hester.
Installation view of Helen Frankenthaler, Hybrid Vigor, 1973. Photo by Paul Hester.

After six months of Covid-related closures, The Menil has announced its buildings will reopen on Saturday, Sept. 12.


The refreshed displays will include works by Dan Flavin, Jasper Johns, Andy Warhol and others; a 1973 painting by Helen Frankenthaler, which has not been publicly exhibited in more than 40 years, will hang in the main building. An exhibit that opened at the beginning of this year, Photography and the Surreal Imagination, will be continued. And in the Menil Drawing Institute, patrons will find an extension of the exhibit of Think of Them as Spaces: Brice Marden’s Drawings.

At the end of the month, two major exhibitions debut: Allora & Calzadilla: Specters of Noon, with seven newly commissioned pieces by Puerto Rico’s Jennifer Allora and Guillermo Calzadilla, inspired by the Menil’s collection of Surrealist works; and Virginia Jarmillo: The Curvilinear Paintings, featuring eight canvases from the early 1970s in the artist’s first solo museum show.

The Menil Collection is enforcing the use of face masks and requesting tickets be reserved in advance online.

AT TOP: Installation view of Helen Frankenthaler, Hybrid Vigor, 1973.

Art+Culture
‘Embrace Changes,’ Says Valobra, Whose Namesake Jewelry Store Has Become a Houston Institution
How did you get to where you are today? I had little choice in the matter; I grew up being trained to become the fourth-generation jewelry designer behind my great grandfather, grandfather, and father. It was my duty to carry on the family business and continue the hard work and success they built from nothing, beginning in Torino, Italy in 1905. I was surrounded by jewelry and its craftmanship as a young child and was taught the business from a very young age.
Keep Reading Show less

UPON ARRIVAL AT Maroma resort on Mexico’s Riviera Maya, a beautifully dressed attendant, briefcase and tablet in hand, ushers guests to their respective rooms. “Here’s your welcome amenity,” she says, gesturing to ceramic vessels on the coffee table with one hand as she completes the check-in process with the other. “It is tequila.”

Keep Reading Show less
People + Places

THE CORINTHIAN WAS the scene for a haunted happening benefiting Children’s Museum Houston. The decidedly adult bash was filled with dark allure, gothic glamour, and generosity to the tune of $1.14 million, the second-highest total in the event’s history.

Keep Reading Show less
Parties