Stepping into the role as narrator is spoken-word artist, educator, and Houstonâs fifth Poet Laureate, Emanuelee âOutspokenâ Bean. Itâs an inspired choice for a program celebrating ECHOâs commitment to music education, and another example of Beanâs commitment to stepping outside of his comfort zone and introducing poetry to artistic domains.
The concert also features ECHOâs 2024 Young Artist Concerto Competition winner Arturo Gonzalez, a supremely talented junior at The Woodlands College Park High School, who will perform the third movement of DvoĹĂĄkâs Cello Concerto.
Since its premiere in 1936, Peter and the Wolf has introduced countless young audiences to the individual sounds of Western classical instruments (the bassoon, the flute, timpani, etc.) through now-famous musical passages or âthemesâ representing the storyâs characters, including the animals. Itâs a favorite of concert audiences, and everyone from Sting to Patrick Stewart to Viola Davis has narrated performances â but before ECHO reached out to him, Bean had never heard Peter and the Wolf.
âThis is something new for me,â says Bean, who has performed live with Houston Ballet. âIâve performed with music a ton of times, but never something like this.â In rehearsal, with ECHOâs co-founder and music director Michael Fahey conducting, Bean is exploring different voices for each character, and using his ears and eyes to stay âin the pocketâ with the music as it unfolds. âThereâs so much audio color in this, with the bassoon, the horn, the drums,â says Bean. âI just donât want to get swallowed!â
Meanwhile, across town, Bean has taken on his own conducting duties as music director for Othello: The Remix, currently running through June 9 at Stages. In this Hamilton-esque hip-hop version of Shakespeareâs tragedy, every line of dialogue is rapped over prerecorded music, and Beanâs job was to ensure the actors stayed on beat and sounded convincing as rappers. âI coached them on how to say every syllable,â says Bean. âI mapped out a diagram and legend for them to follow for what to do with their voices.â
It was a job not dissimilar to what heâs been doing for 14 years as coach and mentor of Meta-Four Houston, a program of Writers in the Schools that nurtures and prepares young poets from across Houston to compete as a team in national poetry slam festivals. âThe years of working with Meta-Four have been flowing into the work Iâm doing with these other performances,â says Bean.
On Sunday, May 19, at the Museum of Fine Arts, Houston, Bean wraps up a stimulating month of performances with a solo set of original poetry written in response to Kehinde Wileyâs monumental exhibition, An Archaeology of Silence, an exhibit MFAH director Gary Tinterow described as âone of the most moving exhibitions that I can recall in my last 11 years at the museum.â The intimate nature of the performance, one lone voice among Wileyâs large-scale paintings and sculptures, speaks to Beanâs gift for connecting to varied and unexpected artistic endeavors across Houston, be it a symphonic fairy tale by a Russian composer, a Shakespeare tragedy re-imagined as hip-hop, or a teenaged team of future poet laureates.
