Another Sign the Pandemic Is Ending: 'Omakase' Is Back on the Menu at Kata Robata

Julie Soefer
Another Sign the Pandemic Is Ending: 'Omakase' Is Back on the Menu at Kata Robata

Uni at Kata Robata, which this week has relaunched its celebrated tasting menu for the first time since Covid.

TO THE DELIGHT of sushi-starved Houstonians across the city, omakase is back on the menu at Kata Robata. Chef Manabu Horiuchi chose not to offer the omakase treatment during the pandemic due to the demands for takeout the Upper Kirby sushi staple was experiencing.


And even after reopening the dining room during the pandemic, Chef Hori didn't feel like he had the bandwidth to create the special tasting menus every night, which have historically featured some of the freshest and choicest cuts of fish that Chef Hori sources each day from Japan.

Now that dine-in service is humming again, and takeout service is in decline, Kata Robata will be offering the special experience, which often includes a mix of cold and hot dishes served alongside the restaurant's special Yuasa brand soy sauce sourced from Japan's oldest soy sauce brewery. The experience will be available every day of the week except for Sundays and Wednesdays — Chef Hori's day off.

Space is limited, however, since Chef Hori will only be offering eight omakase experiences a night, with prices ranging from $150-$200 depending on the products he's received for that day. Reservations for the bespoke sushi experience can be made by either putting a note in your reservation, or by calling the restaurant directly.

Kata Robata's Chef Hori

A nibble of Wagyu, which might make the newly reinstated 'omakase' menu

Food

Photo by Lynn Lane

HOUSTON GRAND OPERA’S second fall repertoire production is Gioachino Rossini’s Cinderella. The colorful, commedia dell'arte-inspired production opens Friday, Oct. 25, and stars Grammy Award-winning mezzo-soprano Isabel Leonard — a breathtaking brunette beauty, even when doused in soot — in bel canto role of Angelina, known to her mean step-sisters as “Cenerentola.”

Keep Reading Show less
Art + Entertainment

BRETT MILLER WAS just 10 years old when his parents took him to a screening of the 1925 silent film, The Phantom of the Opera, starring Lon Chaney as “The Phantom” of the Paris Opera House, with an accompanying soundtrack played live by an organist. The film contains one of the most famous “reveals” on celluloid (We won’t give it away!) and is all the more shocking when accompanied by live music played on the Phantom’s favorite instrument.

Keep Reading Show less