The Children’s Museum Boogies Into a Record-Breaking Night at Studio 54

The Children’s Museum Boogies Into a Record-Breaking Night at Studio 54

Scott & Katie Arnoldy, Holly & Steve Radom

ANDY WARHOL AND Liza Minnelli — well, convincing impersonators anyway — welcomed 600 guests dressed in disco-glam looks to The Children’s Museum’s annual gala. Bergner and Johnson Design transformed The Corinthian into Studio 54 for a night of dancing, bellbottoms, boas and raising $1.1 million for the museum’s outreach services.


Jackson & Company catered the multi-course dinner and, for dessert, served a mousse incased in chocolate made to look like a bright red pair of lips. An exciting live auction featured two rescued puppies which sold for $20,000 each, a VIP Houston sports package and jewelry from Zadok Jewelers.

After dinner, the infamous moon from Studio 54 dropped down from the stage and the glittering dancefloor opened to the beats of Drywater Band. Partygoers, many in platform shoes, boogied to 70’s hits and at midnight trays of cheeseburgers and french fries were brought out to the crowd.

Ashley Sloan & Devorah Krieger

Daniel Arnoldy & Scott Arnoldy

Damion & Brittany Link, Winnie & Nic Phillips

The decor

Deborah & John McInnes

Gilbert & Dee Dee Garcia, Ginny & Jason Endecott

Jonathan & Ashley Sloan

Liza Minnelli & Andy Warhol impersonators

Allison Chavez, Holly Radom & KatieArnoldy

Nicholas Buc (photo courtesy of Buc)

“IMPERIAL ATTACK.” “PRINCESS Leia’s Theme.” “The Land of the Sand People.” The titles alone are enough to invoke the soaring melodies, magisterial harmonies, and martial rhythms of John Williams’ score to George Lucas’s 1977 film Star Wars (later rereleased as Star Wars: Episode IV – A New Hope). Williams’ musical leitmotivs for Princess Leia, Ben “Obi-Wan” Kenobi, and Darth Vader were as memorable as the characters themselves, and not surprisingly, the soundtrack became the best-selling symphonic album of all time. On July 28-29, the Houston Symphony presents a special screening of Star Wars, its dialogue and revolutionary Foley sounds intact, and all of the film’s musical cues performed live under the baton of guest conductor Nicholas Buc.

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BELLY DANCERS WITH flaming candelabras on their heads. A house band playing jazz mixes of pop songs. A DJ on weekend nights until 2am.

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