A Starry Night: A-List Crowd Toasts Debut of Van Gogh Experience

Quy Tran
A Starry Night: A-List Crowd Toasts Debut of Van Gogh Experience

Natalie Varnum and Jacqueline Long

A CELEB-STUDDED crowd turned out to toast the grand opening of the highly anticipated Immersive Van Gogh Exhibit, which debuted in a custom-built warehouse in West Houston on Wednesday night.


The 200 guests first gathered in a courtyard erected outside the venue, which will soon be dubbed Lighthouse Artspace. Everyone wanted their pic taken in front of the sunflower-bedecked yellow pickup, turmeric-tinged signature cocktail in hand.

Impact Museums' Diana Rayzman and Vito Iaia, who helped produce the exhibit, and Council Member Amy Peck were among those who gave remarks before a ceremonial ribbon-cutting. Then, at last, art-loving Houstonians — including Brian Ching, Chester Pitts, Kam Franklin, Donkeeboy, Jess and Betty Tutor, and Scott and Jana Arnoldy — poured into the bright blue warehouse, ready to take in the full experience.

Once inside the main room, folks claimed their spot within socially distanced circles, and were dazzled by the 35-minute show. For more on the exhibit, click here.

Kam Franklin, Donkeeboy, and Sylvia Roman

Lauren and Kyle Courville

Miya Shay and Laurette Veres

LaToya and Chester Pitts and family

Jessica Rifanburg and Alessandra Madrid

Amy Johnston and Carrie Evans

Megumi Hoshi and Whitney Mercilus

Scott and Jana Arnoldy and Betty and Jess Tutor

The evening's colorful signature cocktail

Schuyler and Sarah Pappas

Giselle and Patrick Piller

Parties

Matthew Dirst (photo by Jacob Power)

FOR FANS OF early music — an often scholarly lot who aren’t afraid to wear their hearts on their sleeves — bad-boy Baroque-era painter Caravaggio certainly nailed something in his dramatic 1595 painting, “The Musicians.” (Simon Schama talks about this in his TV series The Power of Art.) One look at his masterpiece, and you feel as if you’ve stumbled upon and surprised a roomful of dewy-eyed musicians, their youthful faces swollen with melancholy, with the lutist looking like he’s about ready to burst into tears before he’s even tuned his instrument. So no, you certainly don’t need a Ph.D. to enjoy and be moved by the music of Handel, G.P. Telemann, or J.S. Bach, but a little bit of scholarship never hurt anyone. Knowing the history of this music may even deepen your appreciation of it.

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