For These Artists, the Ear Is as Essential as the Eye

For These Artists, the Ear Is as Essential as the Eye

Arni Sala's snare-drum installation

WHAT IS SOUND art? The fact is, nobody really knows, including curators, critics and the artists themselves. Is sound in itself art? If yes, isn’t Charlie Parker a sound artist? But what if there is no audio component to the art, but the work evokes an auditory experience? And if you hang a bunch of snare drums from the ceiling upside down, will they drum on their own?


Beginning Jan. 28, The Moody Center for the Arts bravely takes on these and other sound art-related conundrums in their spring 2022 exhibition, Soundwaves: Experimental Strategies in Art + Music. Now in its fifth year, The Moody Center continues its mission to “elevate the many disciplinary intersections with visual art” in this group show of artists for whom the ear is as essential as the eye.

Soundwaves includes Anri Sala’s installation of the aforementioned snare drums, a graphic score by Raven Chacon, and an intriguing series of drawings by Christine Sun Kim, who was born deaf, and is known outside the artworld for her dramatic ASL (American Sign Language) performances of “The Star Spangled Banner” and “America the Beautiful” at the 2020 Super Bowl.

Other featured artists include two Houstonians, polymath and MacArthur “genius grant” fellow Jason Moranand renowned mixed-media artist Jamal Cyrus. Moran, who grew up in a home filled with art, has constructed performance spaces within galleries and museums based on long lost music clubs, one example being Slug’s Saloon, which is included in CAMH’s current exhibit, The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse.

Meanwhile, Jamal, like Houston artists Tierney Malone and Robert Hodge, creates three-dimensional works out of found materials, including brass instruments and vinyl record covers, to engage and reconnect viewers to the history of black American music, especially 60s and 70s-era jazz. Cyrus has created a new work for this exhibit.

Soundwaves will be complemented by a season of performances in the galleries and in the Moody’s black box theater. The exhibit runs through May 28.

Art + Entertainment
Thrive & Inspire: ‘Results for Clients’ in Oil and Gas Drives Michelman & Robinson’s Varnado

Lauren Varnado, Houston Office Managing Partner at Michelman & Robinson, LLP and sought-after oil and gas lawyer

WHAT WAS THE highlight of 2022 at your business? That’s easy, launching Michelman & Robinson in Houston was, for me, the absolute high point of 2022 — and that’s in a year that included so many highlights. Without question, being named the firm’s Houston Office Managing Partner is and was a professional milestone that I’m so very proud of. That I’ve already been able to expand the office to 10 of us (and growing) and significantly move the needle in terms of the firm’s reach within the energy space is icing on the cake.

Keep Reading Show less

Bill Viola’s ‘Ascension,’ on display as part of ‘Living with the Gods’ at MFAH

THE ARTIST WHO ushered in the expressionist movement in the early 20th century was not, in fact, Picasso or Matisse. It was Paul Gauguin, whose career spanned the decades just preceding the turn of the century. The French painter is the subject of the Museum of Fine Arts’ latest exhibit, Gauguin in the World, which was organized by Henri Loyrette (formerly of the Louvre and the Musée d’Orsay, Paris). The show, just one of the museum’s diverse winter season shows, debuted in Australia in June and will be on display through Feb. 16, 2025, at the MFAH, the only U.S. venue for the survey.

Keep Reading Show less
Art + Entertainment

Cirque du Soleil's 'Echo'


Keep Reading Show less
Art + Entertainment